Author name: cfcafrica

DIPLOMATIC PASSPORTS FOR CULTURAL ADVOCACY: GHANA REDESIGNS INTERNATIONAL REPRESENTATION By Kwame Aidoo

By Kwame Aidoo Five (5) of Ghana’s creative and cultural champions —Anita Erskine, Rocky Dawuni, Ibrahim Mahama, Wode Maya and Lady Dentaa Amoateng MBE, have received diplomatic passports to aid their work in fostering international cultural solidarity. The Minister for Foreign Affairs, Samuel Okudzeto Ablakwa (MP), announced this on 17th September, at the launch of …

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GHANAIAN THEATRE FOR HISTORICAL STORYTELLING: WHERE ART, CULTURAL MEMORY AND IDENTITY INTERSECT By Kwame Aidoo

By Kwame Aidoo, Ghana Makola Queens and Mansa Musa and the Trail of Lost Gold: The Prelude; two Ghanaian theatre projects based on historical storytelling, are pushing the envelope by reimagining and telling the stories that we did not know we needed in the now. Inspired by the intricate history of oral traditions and social …

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Understanding IP and Copyright Key to Unlocking the South African Creative Economy by Tonderai Chiyindiko

By Tonderai Chiyindiko, South Africa Whether it is the highly publicised case involving global entertainment giant Disney for their uncredited usage of the song Mbube (popularly known as The Lion Sleeps Tonight) originally written and recorded by Solomon Linda in the hit film The Lion King and subsequent spinoffs, to the more recent case involving …

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African Fashion-The Colour of Memory and Resistance by Nesrine Benyaiche

By Nesrine Benyaiche, Algeria Fashion has always been a tool of expression and recognition. Clothes are markers of social class and a reflection of faith, grief, celebration, or revolt. They shape how we see ourselves and how others see us. We often use them to express who we are and to recognize others. Throughout history, …

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Uganda’s 2026 Elections: What Do the Manifestos Promise for Culture? By Patrick K. Ssentongo

By Patrick K. Ssentongo — Kampala, Uganda As campaign songs fill the air and posters colour city walls, Uganda is once again in election mode. Amid the rallies and promises, a quieter question lingers: what place does culture hold in the political agenda? For years, Uganda’s creatives have kept the nation’s heartbeat alive, yet culture …

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Culture at the Core: CfCA’s Midpoint Momentum in Regional Advocacy

“Culture is not just entertainment; it is the backbone of Africa’s integration.” — Hon. Andrea Guer Ariik Malueth, Deputy Secretary General: Infrastructure, Productive, Social & Political Sectors, East African Community (EAC) As Connect for Culture Africa (CfCA) advocacy efforts continue, August and September 2025 have set the stage for a stronger, more coordinated advocacy movement. …

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Square Pegs in Round Holes – Why CCI’s Funding in South Africa Needs a Radical Shift by Tonderai Chiyindiko

By Tonderai Chiyindiko South Africa is one of a few countries on the African continent with functional public and private entities working within the cultural and creative industries (CCI’s) through offering sector support which primarily focuses on funding as well other opportunities.  However, much of this funding often does not consider the fluid and ever-evolving …

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MODERNIST TO CONTEMPORARY AFRICAN AND DIASPORAL PRESENCE: TWO EXHIBITIONS EXPANDING ARTISTIC CONVERSATIONS By Kwame Aidoo

In this reflective essay, Kwame Aidoo—a Ghanaian writer with a background in international arts journalism (ArtReview, NATAAL, Culture Trip)—turns his attention to two powerful exhibitions that expand how we see African and diasporal art. From The Writing’s on the Wall at SCCA Tamale in northern Ghana to Body Vessel Clay: Black Women, Ceramics & Contemporary …

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“Give Us a Ministry or an Arts Council” –Wasula on Fixing Uganda’s National Culture Policy- By Patrick Ssentongo

By Patrick Ssentongo -Kampala, Uganda When Uganda unveiled its first-ever National Culture Policy in 2006, it was hailed as a progressive framework that would safeguard the nation’s heritage and position culture as a driver of social cohesion and economic growth. The document was ambitious—seeking to re-center culture in national planning, stimulate creativity, and refocus the …

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